Parenthesis 11


Chairman’s Column | Stephen Heaver
A Note from the Editor | Crispin Elsted
Introducing the Codex Foundation | Peter Koch
The Forty-fifth New York Antiquarian Book Fair | Rudolph Ellenbogen
Press at Colorado College Celebrated in a New Exhibit


Justin Howes | John Randle
Arthur Johnson | Nigel Jury
Muir Dawson | Sid Berger

History & Methods

Notes on a Book in Progress and How I Engrave | Abigail Rorer
Excerpts from Carving the Elements | Robert Bringhurst, Peter Koch, Dan Carr, and Richard Wagener
The Decline of the Fine Press Market | Michael Andrews
Curator’s Choice: Fine Press Editions of American Classics | David Schoonover
A New Face for an Old Form: The Wood Type of Scott Polzen | Paul Razzell


Proper Printing at the Ampersand Press | Martyn Ould
Working with Frank Martin: Four Books | Dennis Hall


Editions Koch | reviewed by Crispin Elsted
010 Publishers and Allworth Press | reviewed by Sjaak Hubregtse
Whittington Press | reviewed by Gaylord Schanilec
Plough Press and Mark Batty Publishers | reviewed by Mike Barnes
Midnight Paper Sales and Solmentes Press | reviewed by Crispin Elsted
Solmentes Press | reviewed by Jan Elsted
The British Library and Yale University Press | reviewed by John Trevitt
Press on Scroll Road | reviewed by Crispin Elsted
Lumiere Press | reviewed by David Evans
Theo Rehak | reviewed by Gregory Walters
Red Howler Press | reviewed by Simon Brett
The Porcupine’s Quill | reviewed by Paul Razzell
Barbarian Press | reviewed by Bruce Whiteman
Oak Knoll Press | reviewed by Mike Barnes
Janus Press | reviewed by Simone Mynen

Books Briefly Noted