The Fine Press Book Association (FPBA) is an international organization promoting the creation, study, and collection of contemporary book arts that aspire to the highest standards of craft and design. Membership is open to anyone with an interest in the book-related arts. The FPBA had its first official meeting and issued the first issue of Parenthesis in 1998. Today it has a worldwide membership of those interested in the fine book and contemporary fine printing: collectors, printers, artists, illustrators, museums, libraries, and dealers.
The organization was formed by a group of individuals sharing common interests in the art of printing, the matching of worthwhile texts with significant images and artistic expression through the structure of a book. Its goal is to promote the appreciation of such books and encourage their production. These aims are to be pursued in a number of ways including enhanced dialogue between book printers, designers and others in the book arts and the inspiration of the public at large.
FPBA had its genesis at the 1996 Oak Knoll Fest (a fine press fair sponsored by Oak Knoll Books of New Castle, Delaware). After many months of preliminary work spearheaded by Carol Grossman, a group of printers, designers, and others involved in fine press books decided on an organizational structure, purpose, and set a schedule for formation. The first official meeting and the first issue of Parenthesis (24 pages) appeared in 1998. Initial officers included John Randle (President), Kim Merker (Vice-President), Frances McDowall (Secretary/Treasurer for the UK and Europe), and Carol Grossman (Secretary/Treasurer for North America).
By fall of 1998, membership was approaching 700. The second issue of Parenthesis was 36 pages long, the third 52, and by the fourth it had reached 64 pages, where it has remained. Dennis Hall was the journal’s editor for issues 3 and 4 and for all UK issues through issue 12. Crispin Elsted edited the North American issues through issue 11 at which time he passed on the mantle to Paul Razzell. Robert McCamant edited the North American journals from 25 through 33. Sebastian Carter is the journal’s UK editor.
Parenthesis is published twice a year and is free to members. To bring vitality and variety to Parenthesis, its production alternates between North America and the UK. In the Americas, Robert McCamant of Sherwin Beach Press brings out the Fall issue, while production of the Spring issue is led by Sebastian Carter of Rampant Lions Press.
Each issue typically is 64 pages of articles and illustrations, many in color. Up to 90 de luxe members receive a special limited edition of Parenthesis, which is case-bound and presented in a slipcase with a parcel of items specially printed by presses from around the world. For example, past parcels have included wood engravings by Gaylord Shanilec, Frank Martin, and Simon King, printing from Henry Morris and Nicolas McDowall, pochoir by Peter Allen and Ian Beck, and a poster for the Pennyroyal Caxton Press edition of the Holy Bible.
To join the FPBA, which includes a subscription to the journal, please click here.
Since 1998, the FPBA has been the co-sponsor of the Oxford Fine Press Book Fair [link name to website page] (with the Provincial Booksellers Fairs Association), an alternate-year book fair held in Oxford, England. Beginning in 2014, the FPBA has co-sponsored the Manhattan Fine Press Book Fair [link name to website page] (with Flamingo Eventz), an annual book fair in New York City that coincides with the annual Antiquarian book fair at the New York Armory. While there has never been an official connection between FPBA and Oak Knoll Fest (held in alternate years by Oak Knoll Books of New Castle, Delaware), a strong unofficial connection has been present from the start. The annual meeting of the North American division has taken place at Oak Knoll in years that the fair takes place, and the Fleck family has long been a supporter of the FPBA.