News and Commentary
Editorial, Paul Razzell
Chairman’s Column, Robert McCamant
Letter to the Editor, Paul W. Nash
Parenthesis Turns 10, David Jury
Society of Wood Engravers Seventieth Exhibition, Miles Wigfield
The Kelmscott Chaucer Census, William and Sylvia Peterson
In Memoriam
Remembering Paul Hayden Duensing, Richard L. Hopkins
Features
Printing in the Shadow of Aldus Manutius, Peter Koch
The Revival of the Petrarch Press, William Bentley
History & Methods
Cui Bono? Printing the Greek and Latin Classics in a Semi-Literate Age, Bruce Whiteman
Fine and Private Press Editions of Rudyard Kipling, David Alan Richards
Sylvae: an Adventure in Fine Printmaking, Gaylord Schanilec
In Type
Henk Kreijger and the Raffia Initials, Peter Enneson
Reference Shelf
Designing the Mentoring Stamp, Barry Moser
New Vintage Type, Crispin Elsted
book art object, David Jury
Reviews: Press Books
Georgics, Crispin Elsted
Prometheus Bound, Bruce Whiteman
The Role of Line in Art, C.J. Fox
On Collecting William Morris, Fran Durako
Hung out to Dry, Phil Cleaver
Antarctica, John Russell
Leaves from the Pie Tree, Andrew Steeves
Mimpish Squinnies, Charles van Sandwyk
The Double Escape, James P. Delgado
In Darkest England, Crispin Elsted
Dutch Silverpoints, Paul Delaney
Coincidental Pleasures, Michael Barnes
Playground Football, Jeremy Wilson
The Intimate Stranger, Susan M. Allen
Pshaw!: 30 Years of Poltroonery, Kyle Schlesinger
Beckett's Last Words and Poems of the Great War, Sebastian Carter
Books Briefly Noted Paul W. Nash
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