Autumn 2005 | No. 11 | P. Razzell, M. Barnes, C. Elsted, Editors

Chairman’s Column, Stephen Heaver
A Note from the Editor, Crispin Elsted
Introducing the Codex Foundation, Peter Koch
The Forty-fifth New York Antiquarian Book Fair, Rudolph Ellenbogen
Press at Colorado College Celebrated in a New Exhibit

Justin Howes, John Randle
Arthur Johnson, Nigel Jury
Muir Dawson, Sid Berger

History & Methods
Notes on a Book in Progress and How I Engrave, Abigail Rorer
Excerpts from Carving the Elements, Robert Bringhurst, Peter Koch, Dan Carr, and Richard Wagener
The Decline of the Fine Press Market, Michael Andrews
Curator’s Choice: Fine Press Editions of American Classics, David Schoonover
A New Face for an Old Form: The Wood Type of Scott Polzen, Paul Razzell

Proper Printing at the Ampersand Press, Martyn Ould
Working with Frank Martin: Four Books, Dennis Hall

Editions Koch, Crispin Elsted
010 Publishers and Allworth Press, Sjaak Hubregtse
Whittington Press, Gaylord Schanilec
Plough Press and Mark Batty Publishers, Mike Barnes
Midnight Paper Sales and Solmentes Press, Crispin Elsted
Solmentes Press, Jan Elsted
The British Library and Yale University Press, John Trevitt
Press on Scroll Road, Crispin Elsted
Lumiere Press, David Evans
Theo Rehak, Gregory Walters
Red Howler Press, Simon Brett
The Porcupine’s Quill, Paul Razzell
Barbarian Press, Bruce Whiteman
Oak Knoll Press, Mike Barnes
Janus Press, Simone Mynen

Books Briefly Noted