Archive for the ‘Uncategorized’ Category

Bruce Kennett’s biography of William Addison Dwiggins

Thursday, April 6th, 2017

It successfully funded on Kickstarter in a day, but now they’re pointing out that the deluxe edition, bound in Dwiggins-designed decorated paper over boards and a genuine leather spine stamped with Dwiggins ornaments and hand lettering by Richard Lipton, has an order deadline of April 28. (That’s the day they’ll make the order for manufacture.) This is yet another project of the Letterform Archive. The Kickstarter page where you can order the deluxe for a gift of $350 or more.
–Bob McCamant

Fine Press Book Association seeking new editor for Parenthesis

Tuesday, December 13th, 2016

The Fine Press Book Association is currently accepting applications for the position of North American editor of its publication, Parenthesis.

Parenthesis deals broadly in fine and private press printing as well as bookbinding, typography, collecting, publishing and related areas. While it is best known for its insightful reviews of fine press books, the magazine publishes essays, commentary, news, how-to articles and profiles of presses and personalities shaping the fine printing community. Its many contributors have included Barry Moser, John Randle, Bruce Whiteman, Sebastian Carter, Crispin Elsted, Alan Powers, Mark Dimunation, Paul W. Nash, and Kenneth Auchincloss.

The magazine is published in full color twice a year, with one issue produced in the UK (edited by Sebastian Carter) and one, each fall, from North America.

For additional information on the position and details on submitting an application, please visit fpba.com/parenthesis

–Bob McCamant

Position at Hand Papermaking

Monday, November 21st, 2016

Hand Papermaking, Inc. is now accepting applications for a new US-based full-time executive director. Visit http://job.handpapermaking.org for a detailed position description and required qualifications.
The application deadline is January 15.

A [school] year of programs in Birmingham

Wednesday, September 28th, 2016

philabelThose ever-busy folk at The Centre for Printing History and Culture have announced programs for the months ahead. There’s one every month, and some months, like October and November, have more. The complete schedule is here. How about the 500th anniversary of Orlando Furioso, to be celebrated on October 11? February has Toshi Omagari discussing the validity of what he was taught as type design student (in Japan and England) and debunking myths in typeface design. The picture is Phil Abel of Hand and Eye Letterpress, who talks in March.

–Bob McCamant

Bob Fleck died this morning

Thursday, September 22nd, 2016

bobfleckBob Fleck, Jr., owner and president of Oak Knoll Books, and friend to many FPBA members, died this morning. He had recently decided not to undergo another round of treatments and had entered hospice care.

I have been assured that Oak Knoll Fest will go on as planned next weekend, and that a celebration of his life will be part of the program. Those who have special memories are urged to arrive with their thoughts gathered.

–Bob McCamant

Scripps College Goudy Lecture and other festivities features Irene Chan

Wednesday, September 7th, 2016

IreneChanTwo

IreneChanOne
Call it a whole day of Irene Chan, in fact. The lecture, which is free and open to the public, is the main event. It will take place at 7 pm on Saturday, October 1 in the Scripps College Humanities Auditorium. The other two events cost money: she will give a workshop on “Cut & Folded Books” from 9:30 to 4 pm the same day. It costs $75. Just before her talk, at 5 pm, they will stage a dinner in the Margaret Fowler Garden, which costs $25.

Unfortunately, you’ll have to choose between activities and coasts, since Oak Knoll Fest takes place in Delaware the same weekend.

Send $75 for the workshop and/or $25 for dinner by September 22. Checks should be made out to Scripps College Press and sent to Scripps College Press, 1030 Columbia Avenue #2025, Claremont, CA 91711.

–Bob McCamant

Letterform Archive announces fall talks in San Francisco

Wednesday, August 31st, 2016

Thirty Two Years of Metafont with Donald Knuth
Tue. Sep. 20 – 6:00PM – 7:30PM
For more details and to register click here. Knuth is a particular hero of mine. Though I never mastered his typesetting system (though I tried, commercial systems always seemed more appropriate for my uses), his “Art of Computer Programming” series of books has solved many a problem I’ve faced over the years.

What’s The Use of Fonts In Use? with Stephen Coles
Tue. Oct. 04
6:00PM – 7:00PM
Free admission, please RSVP.

“Whose Font Is It, Anyway?” …Exploring the Business & Licensing of Type with Christopher Slye
Tue. Oct. 18
6:00PM – 7:30PM
Free admission, please RSVP.

–Bob McCamant

Ink, Press, Repeat opens September 6

Tuesday, August 30th, 2016

This exhibition presents a selection of contemporary prints and artists’ books, juried by Phil Sanders, Director of PS Marlowe and former Master Printer of Robert Blackburn Printmaking Workshop. It runs through October 14 at William Paterson University Galleries, 300 Pompton Road, Wayne, NJ. The gallery’s web site.
–Bob McCamant

Exploring the Sans Serif in Birmingham

Tuesday, August 30th, 2016

If I weren’t planning to be in New Castle Delaware, USA, on September 30 for the start of Oak Knoll Fest, I’d certainly consider taking in the program on offer across the pond in Birmingham, England.

The list of speakers sounds fascinating: Professor James Mosley, University of Reading, Primitive types – the search continues; John A. Lane, Netherlands, New dates for the earliest sans serif printing types: the evidence from the type specimens; Chiara Barbieri, Royal College of Art, London, UK, The resonance of sans serif within and beyond the Scuola del Libro in Milan, 1933-43; Robin Fuller, Trinity College, Dublin, Ireland, Grotesque terminology; Jessica Glaser, University of Wolverhampton/Birmingham City University, UK, ‘Block letters of blockheads’; Jon Melton, Anglia Ruskin University, Cambridge, UK, Revolting sans; Sebastien Morlighem, Ecole superieure d’art et de design, Amiens, France, Nineteenth century sans serif typefaces in France; David Osbaldestin, Birmingham City University, UK, The sans serif in Britain: development, deployment and influence; Ann Pillar, University of Reading, UK, ‘Decoration but not decoration’ Edward Wright’s sans serif letterforms for public buildings, Vaibhav Singh, University of Reading, UK, The ‘sans serif’ beyond Latin?: Univers and the New Nagari project.

The program printed more attractively here. And though it is a free event, you should visit this page to acquire tickets.

–Bob McCamant

More job openings at Arion Press

Wednesday, August 10th, 2016

The estimable Arion Press in San Francisco has a trio of openings: The first is a single job in which the person will wear three hats: Pressroom Apprentice, Designer, and Tech Support Position. Read all about it. The other positions are in the bindery; one is a full time position for an experienced binder, while the other is an apprenticeship.

–Bob McCamant