August 4th, 2014
On October 16-18, the American Printing History Association is having its annual fall conference in conjunction with the papermakers’ society, Friends of Dard Hunter. It’s called
“Paper on the Press,” and it’s partly at various venues in San Francisco, including the Center for the Book, and partly at Mills College in Oakland. Keynote will be by Kathryn and Howard Clark the legendary Indiana papermakers. The details are here.
Then, on October 24 and 25, the Book Club of California is offering a mini-conference called “A Feast for the Eyes: Gastronomy & Fine Print Symposium.” Speakers include Anne Willan, Randall Tarpey-Schwed, and Ben Kinmont with a panel discussion by Bill LeBlond, Michael Carabetta, Margo True, and Jenny Wapner and a second panel by Patricia Curtan, David Lance Goines, and Wesley Tanner. And that’s just the first day! For details, look here. Through September 1, it’s $135 for members and $155 for nonmembers.
June 4th, 2014
…if type is what interests you.
The Baskerville Society has a lettering tour on Saturday, June 7. Book here. The cost is modest. Just under a pound if you’re a member, just over if not.
Looking farther forward, July 1 is the deadline for paper proposals for “The Beauty of letters: text, type and communication in the eighteenth century.” This is the topic of a conference to be held next March. More details are here.
Birmingham is also boosting an event in Oxford: “Worlds of Learning: Education and the Book Trades” will explore all sorts of arcane worlds of publishing come July 22 and 23. Book here.
June 4th, 2014
Since 2001, the University Galleries at William Paterson University has organized an annual juried printmaking exhibition featuring traditional and digital print media and book art. One artist will be selected to have a solo exhibition at the University Galleries. Select works will receive cash prizes.
You can look at the catalog of last year’s winners online to decide if what you do would fit in. It appears to be mainly printmaking, but there is also some sculptural paper and even one item that seems to have pages.
You have time. The deadline is not until July 31. For all the details, look here.
The item pictured above is by Michelle Ray: “To Come Upon a Street,” 2011; Photopolymer images and text; 6 x 5 x 1 inches.
June 1st, 2014
The Alcuin Society announced on May 25 that Jan & Crispin Elsted (Barbarian Press) of Mission, B.C., are the the winners of the seventh Robert R. Reid Award and Medal for lifetime achievement in the book arts in Canada. Barbarian has long been an avid supporter of FPBA, and Crispin served as editor of the North American editions of Parenthesis for many years.
Both are masters of their arts, and have shared their knowledge and experience unstintingly, mentoring many fortunate younger artists. Read more about them, and about the award itself and its previous winners, on the society’s newly-designed web site.
The award will be presented to them in Vancouver, at an event to be announced later this year.
May 7th, 2014
A touring exhibition organised by Designer Bookbinders who have invited their members to bind sheets from private presses on both sides of the Atlantic, many of them FPBA members, of course.
The resulting exhibition opens at St Bride Library in London on May 14 and runs until August 22. It then moves to the Houghton Library (Cambridge, MA), September 11 to December 13; Minnesota Center for Book Arts, January 10, 2015 to March 28; Bonhams in New York, April 10-19, 2015; and finally San Francisco Center for the Book, June 6 to July 5, 2015.
There’s an illustrated catalog covering both them and the presses involved, which happen to be: Arion Press (USA), Barbarian Press (Canada), Incline Press (UK), The Lone Oak Press (USA), Midnight Paper Sales (USA), Old School Press (UK), Old Stile Press (UK), Shanty Bay Press (Canada), and The Whittington Press (UK).
The official page for the exhibit is here; if you want to buy the catalog without going to the exhibit, it’s for sale here.
April 30th, 2014
“The Beauty of Letters: text, type and communication in the eighteenth century” is the title of a conference to be held 14-15 March, 2015, in Birmingham, England. Proposals are due on July first of this year. Topics related to writing and printing are expected, of course.
Interestingly, however, performance and portrayal are also possible topics. Their definitions? “Performance: the enactment and communication of text in theatre, music, politics and education through writing and performance of plays, ballad operas, songs and lyrics; the presentation of scripts and musical scores; censorship; theatre programmes; theatre merchandising; speeches; seroms; scientific lectures.” And “Portrayal: the visual representation of text in maps; scientific drawings; architectural drawings; astronomical sketches; political/satirical cartoons; posters, labels; signs and shop-fronts including both architectural and fascia lettering; advertising.”
The Conference organisers, Professor Caroline Archer and Dr Malcolm Dick are inviting contributions from academics, heritage professionals, research students and independent scholars. Send a suggested title, synopsis (200 words) and biography (100 words) via a word attachment to both: email@example.com and firstname.lastname@example.org
April 18th, 2014
The Alcuin Society announced its awards for Canadian book design yesterday (April 17) and many FPBA names are, not surprisingly, among them.
In the category of Limited Editons, FPBA is well represented. Lumiere won first prize for Black Star, Aliquando took a second for Pressing Matters, and Greenboathouse took a third for Tin Roof.
And the designer of our magazine, Parenthesis, Andrew Steeves of Gaspareau Press, took a total of 5 awards in the categories of poetry, prose fiction and prose non-fiction.
The whole list is here. (If you’re also a member and won something I didn’t spot, please let me know. I looked at our database, but it can sometimes be confusing.)
March 15th, 2014
The blog of Eye Magazine has a post about drawings from the UK branch of Linotype being on the open market. They are being sold individually and in small groups from a variety of dealers, but all ultimately came from The Font Archive which is using them as a fundraising source for its digital archiving activities.
February 10th, 2014
The Oxford Guild of Printers will hold its biennial Wayzgoose on Saturday 11th October from 10am to 5pm at Oxford Brookes University. 30 – 40 tables of private presses, printing equipment, specialist booksellers &c. Entry is free. More details on the Guild’s website.
February 5th, 2014
On February 19, designer Brian Webb will talk on “Books with Stories: Thrills, spills, romance, happy endings. Bindings, blurbs, letterpress, linocuts. Type with pointy bits, type without. Every job has a story.” It’s from 17:30 to 19:30 in Room 418, The Parkside Building, Birmingham City University, 5 Cardigan Street. They’d like you to reserve in advance.
And don’t forget, in October 2014 the Printing Historical Society will commemorate its fiftieth anniversary and its role in the encouragement of printing history. To celebrate this milestone, they’ll host several events, foremost of which is a two-day conference on “Landmarks in Printing: from origins to the digital age.” They invite papers that cover all aspects of the printing arts and industry, including the cultural, practical, and technical achievements of the craft. They’re looking for a wide body of speakers to include printers, graphic designers, typographers, publishers, papermakers, librarians, collectors, booksellers, bookbinders and historians. But the deadline for papers is creeping up: it’s noon (GMT) on February 28. Look at this for the details.