June 21st, 2016
The book is now 13 meters long, but will continue to grow until 2018. Local artists supply pages, which are added to the book concertina-style.
According to the director: “This year, we will have the largest exhibition to date with a wonderful variation of work and interactive exhibits for visitors, who will see live demonstrations, a book launch and have the opportunity to try making their own print. Poetry readings and acoustic music will add to the festival feel in the stunning glass Atrium of The Forum.”
The event is at The Forum, Norwich (UK), Friday and Saturday, June 24 and 25, from 10am to 6pm, and there is no charge for admission. Web site.
June 3rd, 2016
Long time friend of hand made books and personal friend to many of their makers Martin Antonetti has been appointed Director of Distinctive Collections at the Northwestern University Libraries, effective 1 July. In that role he will oversee Special Collections; the Art, Music, and Transportation Libraries; the Herskovits Africana Collection; and the University Archives. Martin has been Curator of Rare Books and Director of the Book Studies Concentration at Smith College for nineteen years.
May 12th, 2016
The Grange, Ellesmere [UK] runs courses during the year in bookbinding, letterpress printing, and marbling. They also have an annual Book Day, which this year will be on 25th June. In addition to their own exhibits, there will be stands from: J. Hewit & Sons (stockists and suppliers of materials and tools for bookbinders), F. J. Ratchford (stockists and suppliers of quality cloth and paper), Graham Moss of the Incline Press, Ludlow Bookbinders, Marches Book Arts, Salopian Books, The Medlar Press, The Juniper Press at the Bluecoat, Jessie Miller and Hedge Sparrow Press, and the Society of Bookbinders (North West).
They have a website with all the details.
May 6th, 2016
They will be held on the evenings of Tuesday through Thursday, 7 June to 9 June, at “6:30 for 7 pm” each night. Host is the Athenaeum Library, Level 1, 188 Collins Street, Melbourne. Monday, Alan Loney speaks; Tuesday: Sheree Kinlyside; Wednesday: Marian Crawford. Nothing in the announcement implies that advance registration is required, but there is a $10 charge at the door.
April 27th, 2016
It’s time to get your entries ready for this year’s Ink, Press, Repeat. The deadline is very precise: Tuesday, May 31, 2016 at 11:59 p.m. EST. They can be so precise because they don’t want the real objects for entry. This page explains it all. If you want to mark your calendars for seeing the show, it will open September 6 and run for a little over a month in Wayne, New Jersey. JUST LEARNED! They’re USA chauvinists! You gotta be from the USA.
April 17th, 2016
The Book Club of California seems intent on keeping up a vigorous publishing effort. Their latest book, which they are just announcing, is Robert Bringhurst’s Palatino, the Natural History of a Typeface, for which they are now accepting orders. We have a copy of their offering prospectus online.
April 13th, 2016
Friday afternoon, September 30: Symposium from 1 to 4 on “The Texts of Private Press Books – Should it Come from the Past or the Present?” Saturday, October 1: Talks from 9:30 to 11, including Mark Dimunation, Ron Patkus, and a third speaker to be named by the FPBA. Book fair open 12:30 to 5 pm. Sunday, October 2: 10 – 11: Speech by Ron Patkus. Book fair open 12:30-3:30. If you’d like to exhibit, this is the registration form.
April 6th, 2016
There are two 2-day workshops, both led by James Edmondson: “Lettering for Logotypes” (Saturday, April 30 and Sunday, May 1) and “Sketching Type: Exploring Variables with TypeCooker” (Saturday and Sunday, Jun. 4-5). Then there is a much longer class, taking nine successive Tuesday evenings, May 17 through July 12, called “Micro & Macro Typography” which seems to be an introduction to computer design; its instructor is Tânia Raposo. The two-day intensives are $420, the continuing class is $945. Additional information is available here.
March 25th, 2016
Not sure whether it’s tentative or definite yet, but they’re talking of September 30 through October 2, with only seminar on Friday, and talks plus sale on Saturday and Sunday. Tentative topic is “The Texts of Private Press Books – Should it Come from the Past or the Present? A weekend devoted to the study of how and why a Press chooses a Text.”
March 5th, 2016
The folks in Birmingham are at it again: this time the conference is November 3 and 4, and the paper proposals are due March 25.
This two-day conference at the Marx Memorial Library will explore the role of printers and print as agents and vehicles of protest. Topics of particular interest include: • Print and polemic / print and propaganda • Protest and the printing trade, including the Stationers’ Company and print unions • Censorship / copyright / the struggle for a free press / control of print and ‘underground’ printing • Protest and objects of print, including texts, images and cartoons • Print, protest and uses of (or resistance to) technology • Women, print and protest •Ethnic minorities, print and protest • Local, national and inter / transnational networks of print and protest.
Abstracts of no longer than 250 words should be submitted along with a brief biography to: Dr Chris Hill (Christopher.Hill@bcu.ac.uk) and Dr Matthew Day (M.Day@staff.newman.ac.uk) Invitees will be allocated 20 minutes in which to present their papers. Abstracts must be received by March 25.